He saw the Mona Lisa on
an ancient wooden power pole
one San Francisco chilly day,
Surrounded by a murky fog,
a thing of strange consistancy,
a soft translucent wall of air
Pushed aside his probing hand,
he tried but could not touch the child,
still smiling through five hundred years.
A crowd assembled, curious
at his pale arms grabbing air,
"What are you doing?", asked a girl.
"Don't you see?", the man replied,
"Her face, her lips, her guile and charm,
the slyness in her gentle grin?"
A boy, quite small, ran to the post,
and said, "I see a poster there.
It says, 'Reward for my lost cat!'"
They smiled and laughed, not at the man
but just the gentle joke of it,
as thickening fog spread round about.
He turned and moved into the crowd,
now silent, gray as lumps of clay,
they fade into the darkened day,
While, down the street, the boy cried soft,
"Here, kitty, kitty! Here, kitty kitty!"
The man, alone, remained distraught.
He turned and faced the splintered post,
which smelled of creosote and tar,
and saw that she remained aloft,
She smiled at him and knew his soul,
his secrets, sins, and failed loves --
naked, though still clothed, he shrugged,
He walked away, his eyes held low,
and, guided by low booming horns,
he found himself at water's edge,
And took the ferry waiting there
across the cold and choppy bay
to an empty house so far from her.
Chaos writes with windy pen
on dunes of sand and frothy sea,
cirrus clouds aloft, and then
Erases all before we see
the transient text that's hid therein.
She makes a breeze beneath our door
and tricks us with her icy chill,
freezing feet both rich and poor,
Whispers with a voice quite still,
while scuttering frost along the floor.
Carefully mounded garden leaves
spout up in twisting jets of air;
she throws them up into the eves
And casts them down upon our hair;
confusion reigns while she deceives.
She moves the air in many ways,
a gentle touch, a typhoon's blast
slanting rains from storms just past;
She whimpers, rages, laughs for days,
the words she babbles forth don't last.
So, though the message can't be read,
still, it's plainly understood,
that Chaos birthed our world and said,
"My work is neither bad nor good,
in fog you stumble, then you're dead."
His mother told him many times
a bird most striking had appeared
in the window at his birth,
How calm she felt the last hard push
which shot him forth into the world,
as red and yellow feathers flared.
...
In the woods, the fire burnt out,
an old man left the child there
with tales of gods aflight.
The boy had felt the ashes, cold,
startled at some thrashing wings,
seen glints of color in a tree.
...
His guide was pointing to three birds,
flying through a sulfurous cloud
at craters's lip where they fell dead;
The hiker sensed a whir
and saw at vision's edge
a brilliance fleeing molten rock.
...
On his walls were pictures --
quetzal, peacock, red macaw,
golden pheasant, scarlet ibis;
His questions lay in ancient myth,
memories shimmered through his day,
his dreams at night kaleidoscopic.
...
She was above him, rouge and gold,
nuzzling hair with avian kisses,
feathers falling over him,
And sang,
"Miss you so, love you so!"
He felt her answer brush his cheek,
his last breath smiled, and then he flew.
Despair of yellow if you wish — The taint of choleric bile, Midas’ daughter, snow pee, jaundiced eyes. While Orpheus’ golden lyre went to Hell and back, sunlight echoed on dayend clouds, towheads ran on Baltic sand, dandelions colored my hand. Jacob’s stairs still ascend — presumably to Heaven — But who waters the geraniums?
Early morning fogs
rose from the river.
He waded through an eddy of
warmth swirling slowly
between bank and goal,
a heavily wooded island,
cloud hidden,
Spanish mossed limbs
penetrating
opal curtains.
He felt time evaporate
a hundred million years
as he entered the past earth.
and knew the river damp smell
was once familiar
to a dinosaur,
that nothing had changed,
that his particular world's
sights and sounds
were truant.
Reaching shore, he had
no idea how close he was
to the nest of guarded eggs,
as she burst forth through fog,
the Great Blue Heron,
screaming in the
very rasp of God,
a cry so terrible
that he became a
wee twitchy creature,
scurrying to evade
scaly winged masters
of this new world.
"I'm sorry about the Moon...", he said.
"Oh! What an interesting sentence!",
she replied,
smiling with unexpected delight.
Love illuminated them
in the recovered lunar glow.
The Demon-Casters of Asilomar,
in the great lodge room,
huddle before fire,
Ess-word mutterings float,
"...sssalvation...,
...sssatan...,
...ssssin...",
potent, frequent
"...Jesssusss...".
Bowed backs as
shields,
Stares as
needles, knitting,
White thin lips as
prophet, knowing,
But no
blue eyes on the
lurking heathens
(who suck your soul),
No
flirtation,
temptation,
touching the
unwashed.
This is a joyless,
serious pursuit,
Saving the world.
My friend, the under-employed artist, sold photos to the Sunday edition of the paper. Strictly freelance, not a regular job. “Shoot anything but put three kids in the middle, in red, blue and yellow.” The formula never failed. Every Sunday, $25. It paid the rent.
I worked nights in Brazil, photographing stars. Coming home one morning, I found the neighbor kids gathered around the curb. All year, a trickle of water ran beside it, starting from a neighbor’s farm and moving down through the prosperous community below, eventually draining into the Rio Potengi.
“What’s up?”, I asked.
“Fish!” they answered.
They were on their knees, giggling, hands in mud and water. I walked over, expecting floating toys of sticks and leaves, but saw little flashes of color. A child’s cupped hands held a small, brightly hued fish darting in a bit of water.
I knelt beside the rivulet and saw hundreds of tiny finned creatures slipping through fingers of little people delighted by their beauty.
I lived a few degrees from the Equator. These were tropical fish, the real thing. They weren’t in an aquarium in a doctor’s office. They lived free in their home, my gutter.
Living in Natal, Brazil, was time travel. Evenings, we strolled and conversed lazily, danced at the social clubs, visited the dying in front rooms, surrounded by friends, and went to the barber for a shave — hot towels, straight razor, funny jokes and a rubdown, all for a dime, like an old movie.
Once, I was having a haircut. A man with no legs came in, selling lottery tickets. He maneuvered on a roller board, head about knee high. Everyone knew him. A few bought tickets, and he moved past the line of chairs where he waited. Why was he still there?
The barber to my right finished a guest and turned to the lottery agent. “Same as ever, José?”, who nodded. In a fluid motion the barber lifted him from board to chair. Question answered — a customer, like everyone else, and a frequent one.
A sheet billowed out and was pinned behind his neck, steaming cloth applied, and the conversation continued without break. A few minutes later, towels removed and face skillfully shaved smooth and clean, followed by a brisk massage. Second puzzle — the barber was in no hurry and the next patron seemed happy where he was. Gossip, sports, politics, weather flowed as ever in that global mens’ club. José smiled and chatted, a member in full standing.
I was done. My barber spun me about to face the grand mirror on the wall of every barbershop. “What do you think?”, “Looks great!”, universal query and response. My eyes strayed to the salesman’s reflection, head level with mine, great sheet before him down to floor. Puzzle solved. José sold them lottery tickets and a chance at riches. They sold him a shave — and added legs for a few minutes every day.
On cold winter mornings
in Santiago,
I wanted a typewriter —
I looked at the machines
in the repairman's window
each day as I walked to work —
There was winter prose,
trapped in the keys,
waiting liberation —
I always passed by,
never entering once —
All that English
still languishes cold
in Chilean solitary.
Waiting is
gray and cold
even in summer —
Jorge waits in line
two hours a day —
And Norman says
when he's in line
he's doing something wrong —
Queue shortening,
fruit ripening,
tank filling,
baby entering world,
life ending,
most tedious of all —
Always in the future,
unfulfilled anxiety.
Friends, lovers and enemies
are the line —
Alive, feeding itself
each other's memories
fusion of parallel parts,
forming and reforming
during lifetimes —
I intersect an instant
and live a series of isolations
in a queue alone forever
and quickly forgotten.
Two old cats live with me,
as healthy as two year olds,
each patiently hating the other
and loving me these many years —
Universal constants,
I should have named them
Hubble and Heisenberg.
Rolls, babysitter, medicine, coffee,
you're on my mind —
Try to work, talk, talk, talk,
you're still there —
Checks, flowers, books,
(once, you wrote to me)
Cook, dishes, pack, eat
(your eyes across the table)
Tired, exhausted, lonely,
sleep — bed.
A spruce of some sort,
dense with painful needles —
Somewhat taller than
the six year old
who had taken a sudden interest
in something other than a Star Pine
bent double with
its weight again in ornaments —
After twenty years,
that scent of indoor conifer
was ecstatic.
Today, I talked and talked
about bacteria and
other little things —
I talked and talked and talked
while snow fell outside,
silently, gently, adding
onto itself,
blurring my morning tracks,
burying my car,
erasing colors, blacks and grays —
I left my white board
covered with red circles,
blue arrows and black words,
And entered my white world,
soft white mounds
on flat white planes,
white sky,
white air —
Speechless and lost.
Sun layered gold through green
onto black snow
Christmas morning —
Gwyneth, dog supreme,
loped silent snow paws
through light and dark
of forest dawn —
Saw bear lumbering
to winter sleep,
bobcat,
spruce bough settled,
with curious gaze —
Gave chase at imagined nothings
floating in air ice
great dog noises snow-muffled
making silence silenter —
Finally circles into white nest,
smiling at bear protector,
who dreams of crazy cat,
who laughs at dog below —
Three creatures
sensing a brief perfection —
right place,
right time.
"Crystal White Detergent"
-- that's mine.
'That's nice', he blew, no words.
You knew just what he said,
with that two-note thing,
biting hard,
filling cheeks,
screaming
tearful logic,
love, much chaos:
'Pale wrist submerged'.
'Beat that', he blew,
and I, with
uncharacteristic hesitation,
I ...groped, my
halleluahs submerged
in
reverent suds
in
detergent discovered
on a mental counter.
One last challenge,
he blew again:
'I cannot do this, cannot cannot Kana...'
...who tail-waggled in,
knowing her wordless name,
tootled in puddly notes lazing low
around his feet.
She lapped up sounds and
loosed me,
forgotten --
I was no man again, and
he won,
no words
against my slippery syllables.
-- Eric Kofoid & Kelly Sullivan
"You must have someone
from then —
a trusted aunt or uncle?
a family friend?
Who might remember
more clearly,
more objectively
what happened?"
No one, not one
from then
that I can trust,
who knew me,
who won't tell.
You decided not
to dance,
Instead, toured this
salty valley
Added your tears to
our great lake —
Missed us while not
wanting us —
Thought I missed
the point,
And didn't know I
was in the car
with you.
Last week's flowers wilted,
petals fell,
water fouled,
thrown away with
scraps of food —
"One bud"
and she added a fern leaf,
crinkly wrapper,
red bow
and smile —
Warmly taken,
coldly received,
Rose lies ignored on
sunny table,
expanding,
spreading,
trying to be seen.
Purple paper comes
in scores of shades —
An inifinity of purples
is no surprise —
But paper? ...who needs
twenty five kinds of fuchsia folios?
I just need plain purple
and can't find it!
Black-capped bandits
in from Oregon,
Scattering last year's leaves,
Scaring the cat
(white as snow lying about him),
Jumping, pausing, darting —
chaos makers —
"Look, Aelric!",
then gone,
daddy's a liar —
What's in that mass
of cherry limbs
that draws you back
each year?
Ten years ago, I moved from Salt Lake to California and lost neighbors, views, streams, opera, a packet of poems from 1996, and so much more — but, last week I stumbled across the poems.
It was exhilarating and emotional, like coming out of a suicidal coma and finding life is wonderful after all!
Well… a little like that. Maybe just a touch, for this very specific event.
Hmmm… To tell the truth, life has actually been quite interesting this last decade. The discovery was a bit of a rush, a stimulant, an exhilarant, a mood elevator.
A better metaphor: Imagine that you discover that the little toe on your right foot, which you thought you’d chopped off with an axe 10 years ago, has all along been folded in a peculiar fashion under the other four toes, and that a little clever autochiropractic manipulation pops it right out — now when you prance on naked tippy toes around the house, everything feels just right.
More like that, perhaps, than the suicidal coma.
See them here, if you wish, but, for the most part, they are raving doggerel. They are purposefully scrambled. Do not try to find any thematic continuity in their arrangement.
-- with apologies to Bryan Singer
The worst is remembered longest,
this cumulative burden
overwhelms in time —
Such as, my morning angers,
swirling out of
evaporating nightmares,
diaphanous, beloved —
These fifteen minute irritations
parade twenty four hours
through your brain
Like typing "Guatemala".
He looked like a stiff wind
might blow him away,
White hair on
bent white body,
Wrapped in flannel
and painful age —
"See that man, Daddy?" —
Who is he?
"Max, Daddy! That's Max" —
What does he do?
"I don't know —
He belongs to the school" —
Suddenly, I fear
the bricks might crumble
if Max does not return.
Troll phoned after
twenty five years
and asked about the hat —
I happened to be staring right at it,
recently discovered
in my child's closet —
A nameless Mexican beaurocrat
was moved by a tale of the hat
as gift of a dying lover
and lost on a train —
He took pity — in two weeks
a beaten package arrived,
hat intact —
A Mayan heart believed
and a lover was realized —
My friend,
sensing some universal urgency,
knew it was time to resurect
this dead young woman,
never born —
Her love undending,
shielded me from
sun and rain.
Someday, Aelric
will push A against E,
tuning identity
with historical precedence —
The good king's ancient stone
pressing down his bones
has his letters that way —
The story and sanctifying
sound of "ligature"
will spare him and his name —
Who argues with
dead royalty and
a long word?
Jeff can't tell me why
he looked through me
for three months,
seeing only fog in thin air,
Fears my future, says
he'll fly me out, or
I'll force him back to
Salt Lake City,
Teeters on the edge of
brilliant insanity,
Sees light in the Will-o-the-Wisp
creeping along the runway.
Big guy,
papers and coffee,
notebook, scribbles —
Little guy,
cookie crumbs, chocolate,
curled up under coat —
A week's wait,
it's good
and no need to talk about it.
I extend phone line
across bench
Talking science to
a liar —
Outside calm,
inside chaos —
A flask, empty, falls;
sudden sound,
discordant bells —
No anger,
just broken glass
sparkling on floor.
I prayed to Gita cat
a simple request —
Speak into her ear
as she sleeps,
Work a small miracle,
just this —
Gita said, "Yes, of course" —
The required rituals,
stroking, rubbing,
tickling, warming,
I did them all —
"Patience", she purred,
"Just wait" —
I did, and learned again,
they lie, these cats,
When they say
they're God.
Glass over pastry;
scratches, hundreds,
intersecting like frost --
Pies and goodies in
soft focus,
visual effect provided by
Anxious hands dragging
hot cups for years
towards craving bodies.
Tonight, my boy bathes
for the first time alone —
"Daddy, get out, but
you can leave
the door open…"
Don't worry, I'm here —
"Daddy?"
Still here, Honey —
"I love you…
I'm done…"
I'm not leaving,
you're safe —
"I'll dry myself, but
let me see you first…"
I'll be here a long time,
until I'm imperfect again.
Today, you try to fool me —
standing shakily,
hobbling toward me
with a smile,
Cataract eyes saying,
"Much better now,
really —
younger feeling,
like old times."
You scream in pain
as I touch your side.
In we go,
pills from my pocket
into your mouth —
You drink deeply
and for once I let you
eat anything you want —
You lie next to me
pain replaced
by tired euphoria —
Two hours of childhood dreams
and you never knew
when the needle touched your vein.
It was always simple —
tip forward,
feet rise from floor —
A sensation between
tickled stomach and
blushed face and
levitate —
The trick was finding
that feeling and
letting it spread from
chest to temples —
Once aloft,
direction was effortless,
speed erratic,
and a view
green and expansive —
My dream child flew alone,
warm,
safe,
fearless —
I remember this well,
with envy.
Snow, gone
warm Pacific front —
rained all day,
Seattle clouds in Utah.
"Cold", she says —
"But, we walked without
our coats", I say —
"Yes, but it's wet and gray,
definitely not warm,
cold enought, and
I feel the way
I ought to feel —
The way I would feel
if it were thirty degrees colder."
Good friend,
old black beast,
lying in snow,
rises with pain —
Tail waves "Hello!"
and continues:
"You're here at last —
You'll never guess the battles —
first, birds, then
squirrels, then
kids walking by —
Repelled them all —
It was work, let me tell you
but things are safe now
for you and her
and the kid
and the cat."
"Another day" thinks God,
"You get another day —
Just keep talking, friend."
For the privilege
of sitting now and
sleeping later,
I drink this cup
of bitter stuff,
foul from neglect --
Medicine not for
mind or body,
But known to cure
a social disease.
I notice her eyes,
glistening, fixed,
Her smile, surrendering,
Her joy in listening --
I hear him say
"…spiritual growth…"
in his white cable knit sweater,
advertising on front --
"…Christ…"
in his pressed French dungarees --
"…impact on our relationship…"
in handsewn English boots --
I see tears in her eyes,
and he goes in
for the kill.
"Another chance" thinks one —
"A forgiving nature" thinks two,
and then forgiveness
becomes last chance —
It's probability and numbers —
Love, an equation.
My child moves paint
about his palette
with deliberation —
The same intent that guides
his brush on
color-dripping canvas.
Someday, I'll let the palette dry
and hang it on the wall.
On a salty island
of antelopes
We stumbled on
a perfect bison,
chewing cud —
While the child,
whose memory could
capture this forever,
Sleeps soundly on the back seat.
Cloud mountain —
sometimes red like fire,
sometimes Arctic white —
Is alway enveloped
in deep blues and cotton.
"You won't get hurt there",
I am assured by
its inventor and discoverer —
It's like home on top,
and heaven washes your soul.
White thatched brown bodies
rolling down antelope sands —
Tumbling, scrambling,
sticky hands linked in unaware love —
Saluted by a solemn line of pelicans,
gliding approval of these shrieks of joy.
Russell's little red teapot
grew tired of avoiding
Venus and Mars
and waiting for the proof
that it was not there.
It sits quietly on my coffee table,
prefers serving up up tea,
brisk and hot,
to playing games with God
all the time.
You could compress data
on your computer,
Or you could turn, red-faced,
and close the hole in your pants,
Or you could move fast
from here to there.
Take your pick,
small,
medium,
or large.
We’re sitting in the living room, and Dad asks, “What was the name of that bread”?
“What are you talking about?”, says Mom.
— “That sponsored the ball games”.
— “What ball games”?
— “On the radio, when I came home from work”.
— “You don’t work anymore”.
— “When I worked — past tense”.
— “That reminds me… Once you came home from work and sat down in the living room, this room right here. It was late, you were tired, the TV wasn’t working, and you said, ‘I think I’ll go to bed’. And I grabbed you by the hand. You said, ‘What’re you doing?’, and I said, ‘I want to show you something’, and I took you into the kids’ room, and I woke them up and said, ‘Hey, kids, I want to show you something. This guy here, he’s your father’! Well now, they thought I was crazy”.
— “Home Farms”.
— “Home Farms”?
— “The bread. It was white”.
— “What does that have to do with my being crazy”?
— “They did the ball games. You asked me why I always bought it. It was the ball games — I wanted to show my loyalty”.
— “And for that you call me crazy”?
I put my book down, and look at Dad. He’s wearing a half paper plate wedged between his glasses frames and head. He’s shading his eyes from the floor lamp, and told me years before that he found it better than wearing a hat in the house. I realize that, tonight, I’ll never read this book. The story I’m part of demands attention. It’s compelling, droll, insane. It’s exhausting.
Old folks die noisy deaths.
This is not the received wisdom of youth
who firmly believe in the
silent slide to oblivion
"He just closed his eyes,
and was gone!"
she gushed with a smile,
As though describing a child's first steps.
The truth is
Great-aunts drop casseroles onto
hard kitchen floors,
as their chests burst,
Widowers knock over tables
lurching from bed
clutching their throats,
A farmer scolds his dog,
-- gone 40 years --
for chasing sheep,
And the mother rips
tubes from her arms,
cursing the nurse
for poisoning her.
Part 2
The dying man
hears the loudest noise.
He carries from birth a
metal bowl into which drop
steel balls, at odd moments,
unexpectedly.
He walks alone down a long
crystal arcade, lined
with glass cabinets.
The bowl becomes heavy
and he grows frail.
He pitches forward and the perfectly elastic
spheres bounce everywhere,
a cacophany of clack-clack-clack
and breaking glass.
He lies, clinging to the sounds,
life oozing from his mouth
with each moan,
Not fully gone
until silence follows
the last tap.